Filmmaker and campaigner Rizwan Wadan tells us more about his production company Pixeleyed Pictures’ latest endeavour, Futures in Film, a nonprofit organisation aimed at increasing participation across the filmmaking sphere.
We asked the industry what makes British Cinematographer magazine an essential read for anyone with an interest in cinematography and the wider filmmaking world.
Linda Wu shares how she relished the challenge of shooting on film for her National Film and Television School graduate film, Jellyfish & Lobster.
Recent National Film and Television School graduate Genevieve Reyes takes us behind the scenes of her graduate film Shadow, about an Iranian rhythmic gymnast in the UK and the convergence of those two cultures.
What started as just a WhatsApp group between 64 current mentees has blossomed into a close-knit community that holds meet-ups, training opportunities, and peer-based support, and is currently expanding to welcome past cohorts and explore unofficial collaboration opportunities with vendors, as cinematographer and community founder Cathy Ye explains.
Hear from Francesca Zerenghi, whose digital magazine and events brand Cinegirl has helped foster an incredible female-focused (but not exclusive) filmmaking community.
Anna Gudbrands gives us a glimpse into her lensing of Fran Lobo’s latest music video and shares some of her creative inspirations and influences.
We speak to BSC president Christopher Ross, British Cinematographer editor Zoe Mutter and a selection of industry attendees about what makes BSC Expo such a highlight of the cinematographic calendar.
Fresh from lensing a new TV adaptation of Dangerous Liaisons, cinematographer Ashley Barron ACS shares her experience shooting the Starz period drama and gives her thoughts on the evolution of the filmmaking industry.
