Olan Collardy shares his journey behind the camera
In this chat with Panavision, the director of photography behind Rye Lane, Olan Collardy, retraces his journey behind the camera and shares lessons learned along the way.
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Florian Hoffmeister BSC reveals how he builds relationships with directors
In this interview with Panavision, the director of photography behind Tár and True Detective reflects on filmmaking as an art form and the inspiration he finds in collaborative concentration.
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British Cinematographer Presents…the July and September issue launch celebration
Thank you to everyone who joined us for the second British Cinematographer Presents event – we hope you enjoyed the evening! Each event celebrates the people and productions featured in the latest issue – this time it was a double whammy as we marked the launch of the July and September editions. Through a narrated video, we…
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Rodrigo Prieto ASC AMC, Natalie Kingston ASC and more explain what keeps them motivated
In this candid conversation with Panavision, a group of DPs reflect on the forces that drive their work, from collaboration with directors and crews to personal inspirations and family. They also share honest insights about the challenges of work-life balance, the “film blues” that come when projects wrap, and the ways they recharge before returning…
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BFI London Film Festival unveils 2025 trailer
London Film Festival takes place from 8-19 October in London and cinemas around the UK, with the BFI inviting audiences to discover the world’s best new films, series and immersive storytelling. Here’s the official 2025 trailer.
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Paul Thomas Anderson explains why he shot One Battle After Another in VistaVision
Paul Thomas Anderson has announced that his upcoming film, One Battle After Another, will play in VistaVision–including in London. In this video, Anderson explains why he and DP Michael Bauman shot in the format.
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Robert Yeoman ASC explains how he executed The Grand Budapest Hotel‘s “hardest shot”
Cinematographer Robert Yeoman ASC reveals the hardest shot he filmed on Wes Anderson’s The Grand Budapest Hotel, and how he made it happen.
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Vijay Mishra | Shyamchi Aai – Bharajari Ga Pitambara
Shyamchi Aai DP Vijay Mishra recently explained to British Cinematographer that he aimed to embrace the simplicity of black-and-white to elevate the film’s storytelling. In this musical clip, Mishra and director Sujay Dahake’s vision comes to life with impressive impact.
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Rachel Clark BSC reflects on her career path from trainee to DP
In this candid conversation with Panavision, Clark shares memories from early projects like This Is England, American Honey and Rocks–as well as insights on mentorship, crew collaboration, and building confidence behind the camera.
