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  • DP Oliver Ford’s approach to lighting a Puma x Skepta spot
    Behind the Scenes

    DP Oliver Ford’s approach to lighting a Puma x Skepta spot

    ByHelen Parkinson December 16, 2022January 4, 2023

    Cinematographer Oliver Ford shares his approach to lighting the spot that helped launch the Puma x Skepta RS-X “Revolutionaries” campaign in this article. Don’t miss Ford’s work in this creative commercial.

    Read More DP Oliver Ford’s approach to lighting a Puma x Skepta spotContinue

  • Ian Hurdle | Paramore – This Is Why
    Music in Motion | Showcase

    Ian Hurdle | Paramore – This Is Why

    ByHelen Parkinson December 14, 2022January 11, 2023

    Directed by Brendan Yates, the music video for Paramore’s “This Is Why” finds band members Hayley Williams, Zac Farro and Taylor York in secluded locales, far from prying eyes – until it’s revealed they’re actually being filmed by a two-person crew armed with a 16mm Panaflex camera. Yates partnered with cinematographer Ian Hurdle for this meta music…

    Read More Ian Hurdle | Paramore – This Is WhyContinue

  • James Beattie | Curses – Miriam
    Music in Motion | Showcase

    James Beattie | Curses – Miriam

    ByHelen Parkinson December 14, 2022January 11, 2023

    Cinematographer James Beattie helped lend visual form to the gothic longing of the Curses track “Miriam”. Hear more from Beattie about his work here.

    Read More James Beattie | Curses – MiriamContinue

  • DP Andrew Droz Palermo on shooting a star-studded Call of Duty commercial
    Commercial Break | Showcase

    DP Andrew Droz Palermo on shooting a star-studded Call of Duty commercial

    ByHelen Parkinson December 14, 2022January 4, 2023

    Head behind the scenes on “Squad Up”, the eye-catching spot for Call of Duty: Modern Warfare II directed by Valentin Petit, which assembles a star-studded, globe-trotting cast. “It’s an eclectic and kinetic mix of styles and camera modes, all coming together in an anthem,” says cinematographer Andrew Droz Palermo. “I tried to listen to each…

    Read More DP Andrew Droz Palermo on shooting a star-studded Call of Duty commercialContinue

  • The Camera Behind Just Mercy
    Behind the Scenes

    The Camera Behind Just Mercy

    ByTom June 7, 2021July 21, 2021

    Cinematographer Brett Pawlak and LightIron Supervising Colorist Ian Vertovec discuss the use of Panavision’s DXL2 camera to capture the powerful film Just Mercy. Primo Artiste & H Series lenses were paired with Light Iron’s post services, making for a complete visual storytelling workflow.

    Read More The Camera Behind Just MercyContinue

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British Cinematographer Magazine

Issue 134: March 2026

British Cinematographer Magazine is endorsed and read by: BSC - British Society of Cinematographers; GBCT - Guild of British Camera Technicians; and IMAGO - International Federation of Cinematographers.

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