Maria Guerberof on Illness Reaches its Crisis in a Dissolving Sweat
Maria Guerberof talks shooting Illness Reaches its Crisis in a Dissolving Sweat.
Richard Blanshard talks his new book Cannes: Uncut
Richard Blanshard chats about his new photography book Cannes: Uncut.
The Substance VFX breakdown by CGEV
The Substance delivers body horror like you’ve never seen before — and CGEV is behind some of its wildest, most visceral visual effects. From skin-tearing transformations to impossible regenerations, this is VFX with bite!
A Women’s History Month webinar with Annika Summerson BSC
In conversation with Annika Summerson BSC.
A Women’s History Month webinar with Suzie Lavelle BSC ISC
Part of a celebration for Women’s History Month 2025, Suzie Lavelle BSC ISC talks about her career to date with Laurie Rose BSC and discusses Normal People (2020), The End We Start From (2023), Severance Season 2 (2025) and Bridget Jones: Mad About the Boy (2025).
Women In Cinematography panel at Camerimage Film Festival
An esteemed group of women cinematographers dive deep into their preproduction processes in this panel discussion from Camerimage 2024.
BlueBolt craft haunting VFX for Nosferatu
Led by overall VFX Supervisor Angela Barson and BlueBolt VFX Supervisor David Scott, BlueBolt created an exceptionally varied range of VFX to support Robert Egger’s dark gothic vision for Nosferatu and match DOP Jarin Blaschke’s unique, Academy-award nominated lighting style. BlueBolt tackled complex full CG environments including the fictional city of Wisburg, Orlok’s castle, his ship…
Lol Crawley BSC speaking at the BAFTAs press room
After picking up his award for cinematography, British Cinematographer caught Lol Crawley BSC at the BAFTAs press room.
Panavision | Nickel Boys DP Jomo Fray on lenses and camera movement
Director RaMell Ross’ feature film Nickel Boys continues to earn accolades, including a Spotlight Award from the American Society of Cinematographers for director of photography Jomo Fray. With the movie, Fray explains, he and Ross “wanted to invite the audience into the body and the eyes of a Black boy during the Jim Crow South….
