Severance VFX breakdown
Take the elevator down and explore how ILMVFX brought the second season of Severance to life.
Panavision and Jarin Blaschke | Why these period films look so different
Join cinematographer Jarin Blaschke and Panavision’s Dan Sasaki for an exclusive, in-depth conversation at Panavision’s Woodland Hills headquarters. Together, they break down the evolving lens strategies behind Robert Eggers’ acclaimed films — The Witch, The Lighthouse, The Northman, and Nosferatu.
Freefolk take CG to new heights for Škoda
Created by FCB London, the global campaign for the brand’s new electric model Enyaq, showcases the vehicle’s aerodynamic features, with the 60-second hero film created in collaboration with directors Ian Pons Jewell, Yukihiro Shoda (Prod Co.) and Freefolk. So, what happens when you drop a car and an umbrella in a vacuum chamber? Without air,…
Maria Guerberof on Illness Reaches its Crisis in a Dissolving Sweat
Maria Guerberof talks shooting Illness Reaches its Crisis in a Dissolving Sweat.
Richard Blanshard talks his new book Cannes: Uncut
Richard Blanshard chats about his new photography book Cannes: Uncut.
The Substance VFX breakdown by CGEV
The Substance delivers body horror like you’ve never seen before — and CGEV is behind some of its wildest, most visceral visual effects. From skin-tearing transformations to impossible regenerations, this is VFX with bite!
A Women’s History Month webinar with Annika Summerson BSC
In conversation with Annika Summerson BSC.
A Women’s History Month webinar with Suzie Lavelle BSC ISC
Part of a celebration for Women’s History Month 2025, Suzie Lavelle BSC ISC talks about her career to date with Laurie Rose BSC and discusses Normal People (2020), The End We Start From (2023), Severance Season 2 (2025) and Bridget Jones: Mad About the Boy (2025).
Women In Cinematography panel at Camerimage Film Festival
An esteemed group of women cinematographers dive deep into their preproduction processes in this panel discussion from Camerimage 2024.
