The Substance delivers body horror like you’ve never seen before — and CGEV is behind some of its wildest, most visceral visual effects. From skin-tearing transformations to impossible regenerations, this is VFX with bite!
In conversation with Annika Summerson BSC.
Part of a celebration for Women’s History Month 2025, Suzie Lavelle BSC ISC talks about her career to date with Laurie Rose BSC and discusses Normal People (2020), The End We Start From (2023), Severance Season 2 (2025) and Bridget Jones: Mad About the Boy (2025).
An esteemed group of women cinematographers dive deep into their preproduction processes in this panel discussion from Camerimage 2024.
Led by overall VFX Supervisor Angela Barson and BlueBolt VFX Supervisor David Scott, BlueBolt created an exceptionally varied range of VFX to support Robert Egger’s dark gothic vision for Nosferatu and match DOP Jarin Blaschke’s unique, Academy-award nominated lighting style. BlueBolt tackled complex full CG environments including the fictional city of Wisburg, Orlok’s castle, his ship…
After picking up his award for cinematography, British Cinematographer caught Lol Crawley BSC at the BAFTAs press room.
Director RaMell Ross’ feature film Nickel Boys continues to earn accolades, including a Spotlight Award from the American Society of Cinematographers for director of photography Jomo Fray. With the movie, Fray explains, he and Ross “wanted to invite the audience into the body and the eyes of a Black boy during the Jim Crow South….
How do cinematographers plan pre-visualised sequences on world-building features and TV series while maintaining intimacy with characters through small form factor camera rigs and lenses? Join us for a captivating discussion with cinematographers who have brought visual bravura to stories that include extensive visual effects. As technology behind VFX has advanced, so too have camera…
A discussion seminar with the new generation of cinematographers, how they got their start, how they build professional relationships and how they get and keep getting work. Each cinematographer will screen excerpts of their own work and discuss what went into making the scene from both a production and creative point of view. Moderator: Tim…
