A huge thank you to everyone who joined us for the first British Cinematographer Presents event which this time celebrated the launch of the May/June issue of the magazine. We would also like to thank Aputure for supporting the event, CVP for providing the fantastic space, the BSC, all the talented filmmakers featured in the latest issue…
Take the elevator down and explore how ILMVFX brought the second season of Severance to life.
Join cinematographer Jarin Blaschke and Panavision’s Dan Sasaki for an exclusive, in-depth conversation at Panavision’s Woodland Hills headquarters. Together, they break down the evolving lens strategies behind Robert Eggers’ acclaimed films — The Witch, The Lighthouse, The Northman, and Nosferatu.
Created by FCB London, the global campaign for the brand’s new electric model Enyaq, showcases the vehicle’s aerodynamic features, with the 60-second hero film created in collaboration with directors Ian Pons Jewell, Yukihiro Shoda (Prod Co.) and Freefolk. So, what happens when you drop a car and an umbrella in a vacuum chamber? Without air,…
Maria Guerberof talks shooting Illness Reaches its Crisis in a Dissolving Sweat.
Richard Blanshard chats about his new photography book Cannes: Uncut.
The Substance delivers body horror like you’ve never seen before — and CGEV is behind some of its wildest, most visceral visual effects. From skin-tearing transformations to impossible regenerations, this is VFX with bite!
In conversation with Annika Summerson BSC.
Part of a celebration for Women’s History Month 2025, Suzie Lavelle BSC ISC talks about her career to date with Laurie Rose BSC and discusses Normal People (2020), The End We Start From (2023), Severance Season 2 (2025) and Bridget Jones: Mad About the Boy (2025).
