Adam Barnett | Bring Me The Horizon – sTraNgeRs
Bring Me The Horizon’s new music video, shot by Adam Barnett.
Filmmakers Academy | Keylight – Where, when & why?
This is where it all starts, the key light and the human face. The window into your character’s soul, their emotions, and motivations. It is the most important subject you will ever light, and it all starts with where to place your key light. Shane takes what you think you knew were the basics and…
Filmmakers Academy | Lighting day interior with zero lights
How do you shape natural light to deliver that brilliantly lit, cinematic look and texture? In How to Light Day Interiors Vol. III, Shane Hurlbut, ASC clues you in on his methodology for handling negative fill, black tablecloth, mirrors, and mirror board without relying on expensive lights. Then, Shane deconstructs the pros and cons of…
Vine FX | The Lazarus Project
The work involved transforming locations and studio sets into Eastern European rooftops, Parisian streets, views of Shanghai, Beirut, and full CG environments, as well as collisions between the characters that were surrounded by driving shots filmed in-studio, topped with immersive sci-fi and explosions.
EnergaCAMERIMAGE | An interview with Philippe Rousselot
The winner of EnergaCAMERIMAGE’s Lifetime Achievement Award in 2020, Philippe Rousselot AFC ASC has also been honoured by BAFTA, the Césars and the Oscars. Here, he shares how he immersed himself in Tim Burton’s fantastical universe.
EnergaCAMERIMAGE | An interview with Bruno Delbonnel ASC AFC
In his collaborations with directors like the Coen brothers (Inside Llewyn Davis) and Jean-Pierre Jeunet (Amélie), cinematographer Bruno Delbonnel ASC AFC has developed his signature soft-lit style. He shares how he helps bring a filmmaker’s vision to the big screen, working with the production and costume designers to do so.
EnergaCAMERIMAGE | An interview with Caleb Deschanel ASC
Fresh from lensing 2019’s The Lion King, cinematographer Caleb Deschanel ASC explains how technological advances mean the role of the cinematographer is ever-evolving, and reflects on his time working on the original series of Twin Peaks.
EnergaCAMERIMAGE | An interview with Jan Roelfs
Winner of CamerIMAGE’s Award to Production Designer with Unique Visual Sensitivity in 2019, Jan Roelfs has won plaudits for his work on features big and small – perhaps most notably, two instalments of the Fast & Furious saga. He also talks about his approach to working on remakes, such as 2017’s Ghost in the Shell.
EnergaCAMERIMAGE | An interview with Martin Ruhe ASC BVK
The German-born DP Martin Ruhe ASC BVK on servicing the vision of two-time collaborator Anton Corbijn (Control, The American), and his transitioning approach between working on music videos and films.