One of the buzziest DPs in the industry flexed her talent on the recent, and global phenomenon, that was the All Too Well (Extended Version) short film – directed by Talor Swift. Read RIna Yang BSC’s interview about the celluloid project with British Cinematographer here.
Adrian Langenbach lensed Project Sandbox for Black Corridor.
The Australian Cinematographers Society with help from Panavision, Sony, Dolby and Netflix have created a video to take a look at the new HDR standards that displace the venerable Rec 709 and will inevitably create the new image framework for the 21st century. We hope to dispel the myths and clearly outline the many advantages…
Every single frame in a movie, commercial, or music video expresses some type of emotion. Whether it be sorrow, energy, or anger… Something within that frame is going to steer your audience in a specific emotional direction. In this lesson, Shane Hurlbut, ASC discusses his work on “Waist Deep” and how important the camera’s movement…
Baselight colourist and co-founder of Toronto’s VFX facility in Toronto, Alter Ego, Eric Whipp, was recently reunited with award-winning director and cinematographer duo, George Miller and John Seale for the making of Three Thousand Years of Longing, starring Idris Elba and Tilda Swinton. The movie is a contemporary retelling of the story of a djinn…
See the stunning VFX used on Danny Boyle’s Pistol.
Some of the most memorable moments in cinema history take place in the dramatic environment which is rain. When adding rain to a scene it can create beauty, power, and a level of difficulty to execute. In this lesson, Shane Hurlbut, ASC discusses what it took for him to pull off illuminated rain during some…
This is where it all starts, the key light and the human face. The window into your character’s soul, their emotions, and motivations. It is the most important subject you will ever light, and it all starts with where to place your key light. Shane takes what you think you knew were the basics and…
In this behind the scenes video cinematographer Shane Hurlbut ASC uses the Cinefade variable depth of field effect to gradually blur the background in one shot for dramatic effect. Jodie struggles with insecurities in feature film Tall Girl 2 and to show the transition of her state-of-mind as her ‘inside voice’ takes over, the visual…
