A panel of film critics and culture writers analyse the critical reevaluation of Jennifer’s Body, and the journey of Karyn Kusama’s film from ‘box office flop’ to cult classic, while pondering the tool kit for reclaiming other works. Host: Clarisse Loughrey Panellists: Sarah Fonseca and Lisa Wehrstedt This Q&A originally screened as part of the…
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In this episode of COTV’s cinematography roundtable, six talented cinematographers discuss different experiences and approaches towards working with the director.
In this episode Bradford talks to COTV about his background and his family history, looking at the influences behind his film career. He discusses Howard and how that was a big motivation for him. COTV also look at his approach towards composition and design.
Celebrating 25 years of UK CGI studio REALTIME. Launched in 1996 by a group of friends from Blackpool College of Art, REALTIME work in the automotive, games and TV sectors, delivering award-winning productions for our clients.
In recognition of the esteemed participants of “My First Mixed Reality Shoot” panel discussion and ARRI’s unique mixed reality studio, ARRI captured it live with AMIRA Live cameras. Three AMIRA Live channels covered the event, one ALEXA Mini with an external ARRI (DTS) fibreoptic interface mounted on a jib with SRH-360, and one ALEXA Mini…
ILM visual effects supervisor, John Knoll, discusses the challenges creating the maelstrom for ‘Pirates of the Caribbean: At World’s End.’
This time AbelCine’s special guest is Harvey Burrell, Head of Production at Windy Films, a creative production agency dedicated to creating an inclusive community of talented filmmakers, journalists, and storytellers with their unique open roster approach. To learn more about Windy Films and their work, visit windyfilms.com
Tell the folktales you were told, through your own lens. In collaboration with Netflix, we are searching for the best reimagined folktales by storytellers from the Sub-Saharan Africa region. In this groundbreaking short film contest, 6 finalists will get their short films made with a production budget of $75 000 and will premiere on Netflix…
