For three years from 1960 June Nelson and her late husband Bryan lived in a shed on the Bass Rock, now home to the world’s largest colony of Gannets. June reflects on their time together and revisits her old home.
Cinematographer Mike Eley BSC reflects on pairing ARRI Rental’s DNA LF lenses with ALEXA LF to bring a sensitivity to the Suffolk landscape of Netflix film The Dig. Streaming now on Netflix.
The Chaos Walking cinematographer talks about his experience using our ALEXA65 and PrimeDNA lenses.
In ‘Snyder School,’ Zack Snyder takes us on a four episode journey into his creative process as a filmmaker. In Episode 2, Zack explains his approach to cinematography, using digital cameras for the first time on Army of the Dead, and how to choreograph stunts for zombies.
A VFX breakdown of Pennyworth Season 2.
Lorraine Cink talks with Eric Leven, VFX Supervisor of Marvel Studios’ the Falcon and The Winter Soldier, about some of the VFX magic behind the scenes that helped bring some of Sam Wilson’s high-flying action scenes to life. Watch all episodes of Marvel Studios’ The Falcon and The Winter Soldier, all episodes now streaming exclusively…
Cinematographer Brett Pawlak and LightIron Supervising Colorist Ian Vertovec discuss the use of Panavision’s DXL2 camera to capture the powerful film Just Mercy. Primo Artiste & H Series lenses were paired with Light Iron’s post services, making for a complete visual storytelling workflow.
Watch DNEG’s compositing breakdown for HBO’s Emmy award winning series ‘Chernobyl’ to get a peek into the outstanding work of their compositing department on this historic drama.
Check out DNEG’s brand new Film VFX showreel for 2020 featuring their work on ‘Avengers: Endgame’, ‘Hobbs and Shaw’, ‘Alita: Battle Angel’, ‘Godzilla: King of the Monsters’, ‘The King’, ‘Men In Black: International’, ‘Triple Frontier’, ‘The Kid Who Would Be King’, and more.
