Posted on April 22, 2022 in BSC Expo, Industry Events, Products, Products & Innovations by Nanguang
Nanguang – the parent company of Nanlite and Nanlux – gains more adoption in higher end productions with the quality and value professionals need.
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Baselight colourist and co-founder of Toronto’s VFX facility in Toronto, Alter Ego, Eric Whipp, was recently reunited with award-winning director and cinematographer duo, George Miller and John Seale for the making of Three Thousand Years of Longing, starring Idris Elba and Tilda Swinton. The movie is a contemporary retelling of the story of a djinn…
Cinematographer Oliver Ford shares his approach to lighting the spot that helped launch the Puma x Skepta RS-X “Revolutionaries” campaign in this article. Don’t miss Ford’s work in this creative commercial.
Kate Reid BSC generously shares her advice for up-and-coming cinematographers, including how short film is an incredible training ground for budding narrative DPs, and the importance of shooting as much as possible. Special thanks to Alex Sole-leris, James Holloway, and Henry Blakeway.
Relive the best moments from the 74th Festival de Cannes.
In this episode Seamus talks to Cooke Optics TV about the use of colour in his films. He tells COT about what characteristics some colours can have and how they can be used to create emotion or define a character.
The Leper is a comedy drama about Frankie, a paparazzo reflecting on the encounter that made him question his career.
Baselight colourist and co-founder of Toronto’s VFX facility in Toronto, Alter Ego, Eric Whipp, was recently reunited with award-winning director and cinematographer duo, George Miller and John Seale for the making of Three Thousand Years of Longing, starring Idris Elba and Tilda Swinton. The movie is a contemporary retelling of the story of a djinn…
Cinematographer Oliver Ford shares his approach to lighting the spot that helped launch the Puma x Skepta RS-X “Revolutionaries” campaign in this article. Don’t miss Ford’s work in this creative commercial.
Kate Reid BSC generously shares her advice for up-and-coming cinematographers, including how short film is an incredible training ground for budding narrative DPs, and the importance of shooting as much as possible. Special thanks to Alex Sole-leris, James Holloway, and Henry Blakeway.
Relive the best moments from the 74th Festival de Cannes.
In this episode Seamus talks to Cooke Optics TV about the use of colour in his films. He tells COT about what characteristics some colours can have and how they can be used to create emotion or define a character.
The Leper is a comedy drama about Frankie, a paparazzo reflecting on the encounter that made him question his career.
Baselight colourist and co-founder of Toronto’s VFX facility in Toronto, Alter Ego, Eric Whipp, was recently reunited with award-winning director and cinematographer duo, George Miller and John Seale for the making of Three Thousand Years of Longing, starring Idris Elba and Tilda Swinton. The movie is a contemporary retelling of the story of a djinn…
Cinematographer Oliver Ford shares his approach to lighting the spot that helped launch the Puma x Skepta RS-X “Revolutionaries” campaign in this article. Don’t miss Ford’s work in this creative commercial.
Kate Reid BSC generously shares her advice for up-and-coming cinematographers, including how short film is an incredible training ground for budding narrative DPs, and the importance of shooting as much as possible. Special thanks to Alex Sole-leris, James Holloway, and Henry Blakeway.
Relive the best moments from the 74th Festival de Cannes.
In this episode Seamus talks to Cooke Optics TV about the use of colour in his films. He tells COT about what characteristics some colours can have and how they can be used to create emotion or define a character.
The Leper is a comedy drama about Frankie, a paparazzo reflecting on the encounter that made him question his career.
