Lighting Masterclass / Billy Williams
In this weeks episode Cooke Optics TV speak to Billy Williams about his lighting experience on films such as ‘Gandhi’. He talks about matching shots, how to use natural lighting and much more.
In this weeks episode Cooke Optics TV speak to Billy Williams about his lighting experience on films such as ‘Gandhi’. He talks about matching shots, how to use natural lighting and much more.
In this weeks episode Cooke Optics TV discuss with Bradford the steps he takes into choosing his lenses. Why is getting closer to the subject better? What effect does it create?
Cooke Optics welcome cinematographer Rodrigo Prieto to Cooke Optics TV. A veteran of the cinematography world, he has collaborated with Martin Scorsese on three feature films that include ‘The Wolf of Wall Street’, ‘Silence’ and ‘The Irishman’. In this video, he deconstructs some of the photographic decisions they made in ‘The Irishman’ and how he…
This week Cooke Optics TV welcome Lawrence Sher to the channel. He talks to COT about filming Joker. What made the style? What challenges did they face? What were some unique scenarios?
Julian White tells Cooke Optics TV about the different lighting sources that are used in film and what effect they can give. We see behind the scenes footage compared with the shot in the film. What is the difference between fluorescents and LED?
In this episode, Cooke Optics TV interview Phedon Papamicahel for his work on Aaron Sorkin’s The Trial of the Chicago 7. The film received six Academy Award nominations, including Best Picture, Best Supporting Actor for Sacha Baron Cohen, and Best Original Screenplay for Aaron Sorkin.
In this episode, Cooke Optics TV interview Lachlan Milne for his work on Lee Isaac Chung’s ‘Minari’. The film received six Academy Award nominations, including Best Picture, Best Supporting Actor for Steven Yeun, and Best Supporting Actress for Yuh-Jung Youn.
In this episode, Cooke Optics TV interview Tami Reiker, for her work on ‘One Night in Miami’. She discusses her work on the film, working with Regina King and the ensemble cast that includes Kingsley Ben-Adir and Leslie Odom Jr.