In this fascinating 360-degree video from behind the scenes of The Correction Unit, DP Will J. Carman explains how he got the most out of a tight budget – using natural light, location changes and inventive camera techniques to nail each shot…
In this video for Panavision, Seamus McGarvey ASC BSC takes viewers behind the lensing of Lynne Ramsay’s film Die My Love — a haunting, poetic exploration of love, isolation and the mind’s unravelling.
In this video for Focus Features, director Yorgos Lanthimos explores how VistaVision brought the world of Bugonia to life.
Ty Evans captured Airborne with the RED V-RAPTOR [X] Z Mount and KOMODO-X Z Mount, using Nikkor glass to chase every whip, wheelie, and golden-hour dust cloud in bold, cinematic detail. Here’s how he navigated a fast-paced shoot.
Led by VFX supervisor Henry Badgett, alongside CG supervisor Dave Cook and 2D supervisor Graham Day, BlueBolt has revealed it delivered 138 VFX shots to help recreate the vibrant 1930s pre-war era of Focus Features’ Downton Abbey: The Grand Finale. Here’s a breakdown of how it happened.
“This event has been absolutely brilliant. It’s been amazing to speak to other cinematographers, and to chat to the wonderful guys at Godox has been incredible!” We’re glad you enjoyed our second British Cinematographer Presents event as much as we did! Here are just a few opinions from people in attendance. Contact us for more…
In this chat with Panavision, the director of photography behind Rye Lane, Olan Collardy, retraces his journey behind the camera and shares lessons learned along the way.
In this interview with Panavision, the director of photography behind Tár and True Detective reflects on filmmaking as an art form and the inspiration he finds in collaborative concentration.
Thank you to everyone who joined us for the second British Cinematographer Presents event – we hope you enjoyed the evening! Each event celebrates the people and productions featured in the latest issue – this time it was a double whammy as we marked the launch of the July and September editions. Through a narrated video, we…
