From using large electric boilers to heat one million liters of water with renewable electricity, to deploying batteries, hybrid generators and electric vehicles, The Last House embraced sustainability in every phase of filmmaking. Check out this behind-the-scenes look at how the team brought resourcefulness to life both on and off screen.
Director Boots Riley and cinematographer Natasha Braier ASC ADF talk about the making of I Love Boosters and their experience working with Fuse Technical Group’s LED volume. From Blind Beagle miniatures and practical filmmaking to in-camera VFX, they discuss the creative choices, experimentation and collaboration behind the film. The conversation explores how these techniques brought…
Led by VFX supervisor, Ben Hicks, and CG supervisor, Tim Kilgour, Vine FX delivered a mixture of 2D, CG and invisible effects work across Enola Holmes 3. One of the studio’s most prominent sequences centred on Enola’s puzzle-solving process, where letters and symbols lift from a page and reform in the air as she works…
British Cinematographer Presents… In Conversation with John “Biggles” Higgins, in association with Nanlux. Held at MARS Volume’s stunning space, legendary gaffer Biggles shared insight into his work on productions including 1984, Children of Men, 1917 and Gravity, along with his collaborations, treasured on-set memories, creative approach and the techniques and technology he has worked with….
Cinematographer Anka Malatynska realised early on that images captured through a lens could provide a passport to the wider world. She built her craft in documentaries before breaking into narrative work, where her credits include the Steve Buscemi-directed feature The Listener and television series such as I Know What You Did Last Summer and Rescue:…
Cinematographer Todd Martin spent years shooting commercials, music videos and short films before stepping into narrative features with writer-director Lauren Hadaway’s The Novice, which earned him the Best Cinematography prize at the 2021 Tribeca Film Festival. For his subsequent feature, the Guy Nattiv and Zar Amir Ebrahimi-directed drama Tatami, he worked with Panavision to find…
Led by BlueBolt’s Richard Frazer as overall production VFX supervisor, BlueBolt was principal VFX studio on Tom Clancy’s Jack Ryan: Ghost War – Amazon’s feature-length film continuation of its action series. BlueBolt delivered 365 VFX shots to support the break-neck-paced action, incorporating major explosions, gunfights, multiple complex CG urban environments spanning London, Dubai and New…
Peter Deming ASC has spent decades creating unforgettable cinematic worlds — from horror classics and groundbreaking comedies to his long-running creative partnership with David Lynch. In this conversation with Panavision, Deming reflects on his journey from projectionist and camera assistant to acclaimed cinematographer, sharing stories from films including Evil Dead II, Hollywood Shuffle, Austin Powers,…
The Invite director Olivia Wilde takes a tour of the Kodak Film Lab in New York City. Lab Team: Mike Ramdeo, Todd Orblych, Bob Gonzales, Bert Torres, Will Gounaris, Mike Gharib Director: Mas BouzidiProducers: Sherwyn Santos, Mas BouzidiDirector of Photography: Connor KeepEditor: Jessi Spickard1st AC: Joji BaratelliGaffer: Spencer SlishmanProduction Sound Mixer: John Michael KevilleFilm Processed…
