DP Sarah Thomas Moffat | Virtual production demo

DP Sarah Thomas Moffat | Virtual production demo

Sarah Thomas Moffat is a cinematographer who works internationally, while based between LA and London. In Burbank California recently, she rode her motorcycle into the ARRI Creative Space studio to film with their virtual production technology. Working with ARRI engineers, Sarah created the opportunity to test Unreal 5 Engine assets, while lighting on the set in a traditional fashion…

DP Andrew Droz Palermo on shooting a star-studded Call of Duty commercial
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DP Andrew Droz Palermo on shooting a star-studded Call of Duty commercial

Head behind the scenes on “Squad Up”, the eye-catching spot for Call of Duty: Modern Warfare II directed by Valentin Petit, which assembles a star-studded, globe-trotting cast. “It’s an eclectic and kinetic mix of styles and camera modes, all coming together in an anthem,” says cinematographer Andrew Droz Palermo. “I tried to listen to each…

Relive Freefolk’s magical VFX for Fate: The Winx Saga
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Relive Freefolk’s magical VFX for Fate: The Winx Saga

Freefolk has announced their delivery of a significant award of VFX as a lead vendor for season 2 of Netflix series, Fate: The Winx Saga. Based on the popular Winx Club cartoon, the drama transports viewers to the Otherworld where fairies and specialists train within the confines of Alfea College.  The story centres around a group…

Canon | Goodbye Justice, a Western film trailer
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Canon | Goodbye Justice, a Western film trailer

Watch Goodbye Justice, a trailer for an imaginary Western shot by Ember in collaboration with Canon Europe. The trailer demonstrates Canon’s new Flex Zooms, the brand’s first full-frame cine-zoom lenses. The Flex Zooms, designed to match the look of Canon’s popular CN-E full-frame primes, give filmmakers the advantage of speed, as Goodbye Justice showcases. The…

Filmmakers Academy | Camera Emotion
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Filmmakers Academy | Camera Emotion

Every single frame in a movie, commercial, or music video expresses some type of emotion. Whether it be sorrow, energy, or anger… Something within that frame is going to steer your audience in a specific emotional direction. In this lesson, Shane Hurlbut, ASC discusses his work on “Waist Deep” and how important the camera’s movement…