Adam Suschitzky BSC recently completed shooting “Orphan Black: Echoes” for AMC in Toronto, his first experience with ALEXA 35. Adam commented, “Throughout the shoot, I marvelled at the images we achieved daily, the extraordinary dynamic range, the stunning depth of color, the beautiful skin tones, the high ISO capabilities.” Then after grading at Pictureshop Toronto,…
Straight 8 have curated some standout entrants from previous years of their global competition. Take a trip down memory lane and be inspired by some of the incredible Super 8 films.
Straight 8 have curated some standout entrants from previous years of their global competition. Take a trip down memory lane and be inspired by some of the incredible Super 8 films.
Arctic Monkeys’ staying power at the forefront of British music culture has been primarily due to the band’s constantly evolving sound. Never afraid to experiment with new instruments or lyrical stylings, the quartet have pushed boundaries ever since they exploded onto the scene in the early noughties. For their latest album, The Car, Arctic Monkeys have…
Get to grips with the technology that’s helping filmmakers bring crowds to life without thousands of extras. Read more on the British Cinematographer website here.
Cinesite delivers 400 VFX shots for Black Panther: Wakanda Forever More on the British Cinematographer website here.
Work ranged from full CG space environments, a CG International Space Station, black holes and FX tasks including flying birds, laser beams, water and fire simulation. The third and final season picks up as the war between the survivors and aliens reaches a new turning point and a terrifying phenomenon grips countless people across the…
The 2022 awards ceremony for The British Short Film Awards.
Racking up almost 46 million YouTube views in less than a month, Adele’s “Oh My God” music video – lensed by Roman Vasyanov ASC RGC and directed by Sam Brown – captivated audiences with its distinctive and stylish approach. Read our interview with Roman on the BC website here.
