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  • Panavision and Jarin Blaschke | Why these period films look so different
    Behind the Scenes

    Panavision and Jarin Blaschke | Why these period films look so different

    ByTom June 2, 2025June 2, 2025

    Join cinematographer Jarin Blaschke and Panavision’s Dan Sasaki for an exclusive, in-depth conversation at Panavision’s Woodland Hills headquarters. Together, they break down the evolving lens strategies behind Robert Eggers’ acclaimed films — The Witch, The Lighthouse, The Northman, and Nosferatu.

    Read More Panavision and Jarin Blaschke | Why these period films look so differentContinue

  • BlueBolt craft haunting VFX for Nosferatu
    Visual Effects

    BlueBolt craft haunting VFX for Nosferatu

    ByTom March 21, 2025March 21, 2025

    Led by overall VFX Supervisor Angela Barson and BlueBolt VFX Supervisor David Scott, BlueBolt created an exceptionally varied range of VFX to support Robert Egger’s dark gothic vision for Nosferatu and match DOP Jarin Blaschke’s unique, Academy-award nominated lighting style.  BlueBolt tackled complex full CG environments including the fictional city of Wisburg, Orlok’s castle, his ship…

    Read More BlueBolt craft haunting VFX for NosferatuContinue

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British Cinematographer Magazine

Issue 132: November 2025

British Cinematographer Magazine is endorsed and read by: BSC - British Society of Cinematographers; GBCT - Guild of British Camera Technicians; and IMAGO - International Federation of Cinematographers.

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