Similar Posts

Using colour in cinematography / Seamus McGarvey
In this episode Seamus talks to Cooke Optics TV about the use of colour in his films. He tells COT about what characteristics some colours can have and how they can be used to create emotion or define a character.

EnergaCAMERIMAGE | An interview with Lech Majewski
CAMERIMAGE is something of a homecoming for Polish director Lech Majewski. Here, he speaks about his filmography, including co-writing and co-producing Julian Schnabel’s Basquiat, and the synergies between the worlds of painting and filmmaking.

Charlie Jenkins / Muse | NFTS Showcase 2021 – Fiction
1980. A bright young photographer is pushed to the edge by his teacher’s seductive philosophies, all in the name of great Art.

LFS online graduate showcase 2021 / Trailer
Whilst they couldn’t be together in person this year, LFS remain determined to showcase the remarkable breadth of talent across their graduating filmmakers, screenwriters, and international film business students.

EnergaCAMERIMAGE | An interview with Caleb Deschanel ASC
Fresh from lensing 2019’s The Lion King, cinematographer Caleb Deschanel ASC explains how technological advances mean the role of the cinematographer is ever-evolving, and reflects on his time working on the original series of Twin Peaks.

EnergaCAMERIMAGE | An interview with Cesar Charlone
Ten years on from winning the EnergaCAMERIMAGE Golden Frog for City of God, the multi-hyphenated filmmaker César Charlone reflects on his career so far – in particular, his collaborations with director Fernando Meirelles.

Using colour in cinematography / Seamus McGarvey
In this episode Seamus talks to Cooke Optics TV about the use of colour in his films. He tells COT about what characteristics some colours can have and how they can be used to create emotion or define a character.

EnergaCAMERIMAGE | An interview with Lech Majewski
CAMERIMAGE is something of a homecoming for Polish director Lech Majewski. Here, he speaks about his filmography, including co-writing and co-producing Julian Schnabel’s Basquiat, and the synergies between the worlds of painting and filmmaking.

Charlie Jenkins / Muse | NFTS Showcase 2021 – Fiction
1980. A bright young photographer is pushed to the edge by his teacher’s seductive philosophies, all in the name of great Art.

LFS online graduate showcase 2021 / Trailer
Whilst they couldn’t be together in person this year, LFS remain determined to showcase the remarkable breadth of talent across their graduating filmmakers, screenwriters, and international film business students.

EnergaCAMERIMAGE | An interview with Caleb Deschanel ASC
Fresh from lensing 2019’s The Lion King, cinematographer Caleb Deschanel ASC explains how technological advances mean the role of the cinematographer is ever-evolving, and reflects on his time working on the original series of Twin Peaks.

EnergaCAMERIMAGE | An interview with Cesar Charlone
Ten years on from winning the EnergaCAMERIMAGE Golden Frog for City of God, the multi-hyphenated filmmaker César Charlone reflects on his career so far – in particular, his collaborations with director Fernando Meirelles.

Using colour in cinematography / Seamus McGarvey
In this episode Seamus talks to Cooke Optics TV about the use of colour in his films. He tells COT about what characteristics some colours can have and how they can be used to create emotion or define a character.

EnergaCAMERIMAGE | An interview with Lech Majewski
CAMERIMAGE is something of a homecoming for Polish director Lech Majewski. Here, he speaks about his filmography, including co-writing and co-producing Julian Schnabel’s Basquiat, and the synergies between the worlds of painting and filmmaking.

Charlie Jenkins / Muse | NFTS Showcase 2021 – Fiction
1980. A bright young photographer is pushed to the edge by his teacher’s seductive philosophies, all in the name of great Art.

LFS online graduate showcase 2021 / Trailer
Whilst they couldn’t be together in person this year, LFS remain determined to showcase the remarkable breadth of talent across their graduating filmmakers, screenwriters, and international film business students.

EnergaCAMERIMAGE | An interview with Caleb Deschanel ASC
Fresh from lensing 2019’s The Lion King, cinematographer Caleb Deschanel ASC explains how technological advances mean the role of the cinematographer is ever-evolving, and reflects on his time working on the original series of Twin Peaks.

EnergaCAMERIMAGE | An interview with Cesar Charlone
Ten years on from winning the EnergaCAMERIMAGE Golden Frog for City of God, the multi-hyphenated filmmaker César Charlone reflects on his career so far – in particular, his collaborations with director Fernando Meirelles.