Posted on April 22, 2022 in BSC Expo, Industry Events, Interviews & Panels, Partner Content
Guests at the BSC Expo 2022, including the BSC’s President Christopher Ross, summarise the importance of the event.
Our camera team provide a visual glimpse of some of the event’s most memorable innovations and panels.
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Within the unforgiving environment, the walls of a Welsh quarry provide a climber with the physical and mental strength to prevent a functional neurological disorder from defining who she is, but also to find solace and reconnection through the act of climbing. Featuring: Delyth Owen Climbers: Richard Standen Luke Mueller Weatherman: Chris Jones Directed &…
Every single frame in a movie, commercial, or music video expresses some type of emotion. Whether it be sorrow, energy, or anger… Something within that frame is going to steer your audience in a specific emotional direction. In this lesson, Shane Hurlbut, ASC discusses his work on “Waist Deep” and how important the camera’s movement…
Migrants was directed by Hugo Caby, Zoé Devise, Antoine Dupriez, Aubin Kubiak, and Lucas Lermytte from Pôle 3D in France. The film asks the question: What would happen if Polar Bears had to live with Brown Bears due to global warming?
Directed by Brendan Yates, the music video for Paramore’s “This Is Why” finds band members Hayley Williams, Zac Farro and Taylor York in secluded locales, far from prying eyes – until it’s revealed they’re actually being filmed by a two-person crew armed with a 16mm Panaflex camera. Yates partnered with cinematographer Ian Hurdle for this meta music…
In this video for Panavision, cinematographer Dariusz Wolski ASC discusses shaping the visual language of Nuremberg, from shooting intimate prison scenes with a single bare bulb to orchestrating complex, multi-camera trial sequences rooted in historical reality.
Ty Evans captured Airborne with the RED V-RAPTOR [X] Z Mount and KOMODO-X Z Mount, using Nikkor glass to chase every whip, wheelie, and golden-hour dust cloud in bold, cinematic detail. Here’s how he navigated a fast-paced shoot.
