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  • Zoe Goodwin holding a microphone
    BSC Expo | Industry Events | Interviews & Panels

    New ACO president Zoe Goodwin Assoc. BSC ACO shares her thoughts on taking on the role

    ByGeorge February 24, 2026February 25, 2026

    Zoe Goodwin Assoc. BSC ACO recently made history by becoming the first woman president of the ACO.   At BSC Expo, we asked Zoe what it felt like to make that history – and what her plans are for the organisation.  Massive thanks to Diverse Made Media and Chris Lynch for their support with the video and throughout BSC…

    Read More New ACO president Zoe Goodwin Assoc. BSC ACO shares her thoughts on taking on the roleContinue

  • Oliver Stapleton holding a microphone
    Interviews & Panels

    New BSC president Oliver Stapleton BSC reveals his plans for the British Society of Cinematographers

    ByGeorge February 24, 2026February 24, 2026

    This month marked Oliver Stapleton BSC’s first BSC Expo as president of the Society!   At the event, we sat down with the new boss to discuss how he felt taking on the role – and much more.  Massive thanks to Diverse Made Media and Chris Lynch for their support with the video and throughout BSC Expo.  

    Read More New BSC president Oliver Stapleton BSC reveals his plans for the British Society of CinematographersContinue

  • Trey Joél Robinson | James Pearson-Howes: Sitting Still
    Short Films

    Trey Joél Robinson | James Pearson-Howes: Sitting Still

    ByGeorge February 17, 2026February 17, 2026

    A conceptual short recently nominated at the BSC Short Film competition, the film explores photographer James Pearson-Howes’s journey of self-discovery through his craft, inspired by the legacy of his late father. Director: Donell Atkinson-Johnson Director of photography: Trey Joél Robinson Producers: Candice Shona Robinson & Trey Joél Robinson Gaffer: Nathan Campbell Grip: Michael Farrell

    Read More Trey Joél Robinson | James Pearson-Howes: Sitting StillContinue

  • Wolski sat in a hoodie and t-shirt
    Interviews & Panels

    Dariusz Wolski ASC on the cinematography of Nuremberg

    ByGeorge February 16, 2026February 16, 2026

    In this video for Panavision, cinematographer Dariusz Wolski ASC discusses shaping the visual language of Nuremberg, from shooting intimate prison scenes with a single bare bulb to orchestrating complex, multi-camera trial sequences rooted in historical reality.

    Read More Dariusz Wolski ASC on the cinematography of NurembergContinue

  • Autumn Durald Arkapaw ASC talking as part of a panel
    Interviews & Panels

    Autumn Durald Arkapaw ASC shares in-depth insight into shooting Sinners at Camerimage

    ByGeorge February 2, 2026February 2, 2026

    In this video, Autumn Durald Arkapaw ASC shares insight into her work on the stunning Sinners during a Panavision seminar session at Camerimage. Autumn discussed the creative processes, collaborations and filmmaking tools that helped bring Ryan Coogler’s original vision to the screen.   In conversation with moderator Zoe Mutter (British Cinematographer magazine’s Editor-in-Chief), Autumn also talked the audience through the techniques and inspirations behind key scenes…

    Read More Autumn Durald Arkapaw ASC shares in-depth insight into shooting Sinners at CamerimageContinue

  • The Life of a Star Wars Cameraman
    Behind the Scenes

    The Life of a Star Wars Cameraman

    ByGeorge January 20, 2026January 20, 2026

    Step behind the camera and into the remarkable 50-year career of Geoffrey Glover GBCT, the cameraman who helped bring some of cinema’s most iconic films to life. From his early days in the industry to finding himself on the set of Star Wars, Geoff’s journey is anything but the glamorous Hollywood fantasy many imagine.

    Read More The Life of a Star Wars CameramanContinue

  • A person hit by a magical blast
    Visual Effects

    How Vine FX brought “creature horror” to life in Netflix’s The Witcher season 4

    ByGeorge January 20, 2026January 20, 2026

    Led by Ole-Aleksander Nordby, compositing supervisor, creative lead/CG supervisor Tim Kilgour and VFX supervisor Simon Carr, the Vine FX team have returned to The Witcher with a multi-episode VFX delivery “spanning creature development, close-up FX, environment extensions, combat enhancements, and established magical effects”.  The team worked on seven episodes of the season, and delivered nearly 70 VFX shots across…

    Read More How Vine FX brought “creature horror” to life in Netflix’s The Witcher season 4Continue

  • Autumn Durald Arkapaw sat talking into a microphone
    Interviews & Panels

    Autumn Durald Arkapaw ASC on filming Sinners in Ultra Panavision 70 and IMAX

    ByGeorge January 14, 2026January 14, 2026

    In this wide-ranging conversation for Panavision and Warner Bros., cinematographer Autumn Durald Arkapaw ASC sits down with Panavision senior vice president of optical engineering Dan Sasaki to break down the visual language of Sinners — from early format experiments to shooting large-format IMAX film with lenses designed to have personality, texture, and what Autumn calls…

    Read More Autumn Durald Arkapaw ASC on filming Sinners in Ultra Panavision 70 and IMAXContinue

  • A CG creature
    Visual Effects

    How Union created Anemone‘s CG creature and apocalyptic hailstorm

    ByGeorge January 7, 2026January 7, 2026

    The Union VFX team, led by creative director and VFX supervisor Simon Hughes, VFX producer Sean Power, DFX supervisor Jane Paton, and CG supervisor Noel O’Malley, collaborated closely with Ronan Day-Lewis throughout the creative development of the visual effects for his debut feature, Anemone. The work involved incredibly long shots and required the team to…

    Read More How Union created Anemone‘s CG creature and apocalyptic hailstormContinue

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British Cinematographer Magazine

Issue 134: March 2026

British Cinematographer Magazine is endorsed and read by: BSC - British Society of Cinematographers; GBCT - Guild of British Camera Technicians; and IMAGO - International Federation of Cinematographers.

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