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  • Autumn Durald Arkapaw ASC talking as part of a panel
    Interviews & Panels

    Autumn Durald Arkapaw ASC shares in-depth insight into shooting Sinners at Camerimage

    ByGeorge February 2, 2026February 2, 2026

    In this video, Autumn Durald Arkapaw ASC shares insight into her work on the stunning Sinners during a Panavision seminar session at Camerimage. Autumn discussed the creative processes, collaborations and filmmaking tools that helped bring Ryan Coogler’s original vision to the screen.   In conversation with moderator Zoe Mutter (British Cinematographer magazine’s Editor-in-Chief), Autumn also talked the audience through the techniques and inspirations behind key scenes…

    Read More Autumn Durald Arkapaw ASC shares in-depth insight into shooting Sinners at CamerimageContinue

  • The Life of a Star Wars Cameraman
    Behind the Scenes

    The Life of a Star Wars Cameraman

    ByGeorge January 20, 2026January 20, 2026

    Step behind the camera and into the remarkable 50-year career of Geoffrey Glover GBCT, the cameraman who helped bring some of cinema’s most iconic films to life. From his early days in the industry to finding himself on the set of Star Wars, Geoff’s journey is anything but the glamorous Hollywood fantasy many imagine.

    Read More The Life of a Star Wars CameramanContinue

  • A person hit by a magical blast
    Visual Effects

    How Vine FX brought “creature horror” to life in Netflix’s The Witcher season 4

    ByGeorge January 20, 2026January 20, 2026

    Led by Ole-Aleksander Nordby, compositing supervisor, creative lead/CG supervisor Tim Kilgour and VFX supervisor Simon Carr, the Vine FX team have returned to The Witcher with a multi-episode VFX delivery “spanning creature development, close-up FX, environment extensions, combat enhancements, and established magical effects”.  The team worked on seven episodes of the season, and delivered nearly 70 VFX shots across…

    Read More How Vine FX brought “creature horror” to life in Netflix’s The Witcher season 4Continue

  • Autumn Durald Arkapaw sat talking into a microphone
    Interviews & Panels

    Autumn Durald Arkapaw ASC on filming Sinners in Ultra Panavision 70 and IMAX

    ByGeorge January 14, 2026January 14, 2026

    In this wide-ranging conversation for Panavision and Warner Bros., cinematographer Autumn Durald Arkapaw ASC sits down with Panavision senior vice president of optical engineering Dan Sasaki to break down the visual language of Sinners — from early format experiments to shooting large-format IMAX film with lenses designed to have personality, texture, and what Autumn calls…

    Read More Autumn Durald Arkapaw ASC on filming Sinners in Ultra Panavision 70 and IMAXContinue

  • A CG creature
    Visual Effects

    How Union created Anemone‘s CG creature and apocalyptic hailstorm

    ByGeorge January 7, 2026January 7, 2026

    The Union VFX team, led by creative director and VFX supervisor Simon Hughes, VFX producer Sean Power, DFX supervisor Jane Paton, and CG supervisor Noel O’Malley, collaborated closely with Ronan Day-Lewis throughout the creative development of the visual effects for his debut feature, Anemone. The work involved incredibly long shots and required the team to…

    Read More How Union created Anemone‘s CG creature and apocalyptic hailstormContinue

  • Two men laughing at each other
    Short Films

    The Man Without Qualities | Blake James Reid

    ByGeorge December 29, 2025December 18, 2025

    In a feverish riff on Louis Malle’s 1981 comedy My Dinner with Andre, a dinner between friends derails at a beloved New York restaurant when Brian’s friend John begins to copy him in real time. Directed by Blake James Reid, lensed by Leia Jospé, and starring American musician and composer John Maus, alongside performance artist Brian…

    Read More The Man Without Qualities | Blake James ReidContinue

  • Robbie Ryan sat pointing
    Interviews & Panels

    Robbie Ryan BSC ISC on the VistaVision cinematography of Bugonia

    ByGeorge December 22, 2025December 22, 2025

    In this video for Panavision, cinematographer Robbie Ryan BSC ISC breaks down the visual language of Bugonia, his latest collaboration with director Yorgos Lanthimos — from shooting in VistaVision to embracing long lenses, mechanical constraints, and an evolving on-set process. In this conversation, Ryan explores how format shapes intimacy, why limitations can sharpen creative intent,…

    Read More Robbie Ryan BSC ISC on the VistaVision cinematography of BugoniaContinue

  • A woman staring into camera
    Music in Motion

    “Pick It Up” | John Maus – lensed by Owen Smith-Clark

    ByGeorge December 18, 2025December 18, 2025

    Official music video for “Pick It Up” from album Later Than You Think, performed by John Maus. Director: Blake James Reid @blakejamesreid DP: Owen Smith-Clark @o.smithclark Starring: Hennessey Moriarty @hennesseymoriarty Producer: Janet Valentina Manina @yoitsjanet BTS photographer: Sam Resetarits @samresetarits Editor: Blake James Reid & Max Naum @aleph.knot Colourist: James Graham DIT: True Greenwald Production…

    Read More “Pick It Up” | John Maus – lensed by Owen Smith-ClarkContinue

  • A man lying in bed
    Music in Motion

    “Disappears” | John Maus – lensed by Owen Smith-Clark

    ByGeorge December 18, 2025December 18, 2025

    Official music video for “Disappears” from the album Later Than You Think, performed by and starring John Maus. Director – Blake James Reid Director of Photography – Owen Smith-Clark Executive Producer – Rachel Walden, Luca Balser Production Company – GUMMY Films Producer – Janet Valentina Manina

    Read More “Disappears” | John Maus – lensed by Owen Smith-ClarkContinue

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British Cinematographer Magazine

Issue 135

British Cinematographer Magazine is endorsed and read by: BSC - British Society of Cinematographers; GBCT - Guild of British Camera Technicians; and IMAGO - International Federation of Cinematographers.

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