This is a behind-the-scenes video of a short wildlife film Jack Richardson shot for BBC Springwatch. The subject, lacewings. The story, their whole lifecycle. And he filmed the entire thing on a table in his small one bedroom flat. This is part of a series he is planning to reveal the making of wildlife films…
Portrait of a man on the brink of disaster. This micro short film was shot by DP Rufus Wilson in Nottingham, and stars Sleaford Mods leading man Jason Williamson.
In this Panavision video, writer and director Boots Riley invites viewers inside his mind palace to share how he made I Love Boosters – from hand-drawn storyboards to miniature sets, costumes, lighting, anamorphic cinematography, and custom prototype lenses build specifically for the film. Joined by cinematographer Natasha Braier ASC ADF, production designer Christopher Glass, and…
Panavision’s SVP of Optical Engineering and Lens Strategy Dan Sasaki speaks with co-directors André Abdala and Salomão Abdala to break down the lensing approach behind their F1 racing film 2DIE4. From modern large-format optics to vintage glass and custom anamorphic innovation, the conversation explores how different lenses were used to shape tone, emotion, and perspective…
In this interview, pioneering filmmaker and innovator James Cameron discusses the future of immersive storytelling and the 3D technology and techniques he explored when making concert film Billie Eilish – Hit Me Hard And Soft: The Tour (Live in 3D). From designing advanced custom stereo camera rigs to capture a standout stadium performance by Eilish…
In this video for Panavision, cinematographer, director and producer Michael Goi ASC ISC shares a candid look at a career built on curiosity, risk and mentorship. From shooting his first commercial on a 16mm Bolex as a teenager to shaping iconic work on American Horror Story and beyond, Goi reflects on the importance of staying…
Go behind the look of Good Boy with cinematographer Ben Leonberg in this video from RED. “When Todd walks down into the basement and off camera, in any other movie we’d follow that human hero. But in this movie, the camera stays with Indy.” A haunted house film told from a dog’s perspective, Good Boy…
Kicking off our new Quick-Fire Questions series, Oliver Curtis BSC runs us through his favourite film collaborations, how he chooses gear, and what he loves most about the cinematography industry… Massive thanks to Diverse Made Media and Chris Lynch for their support with the video and throughout BSC Expo.
Union has announced its involvement as the sole visual effects vendor on 28 Years Later: The Bone Temple, directed by Nia DaCosta, written by Alex Garland, and starring Ralph Fiennes, Jack O’Connell, Alfie Williams, Erin Kellyman and Chi Lewis-Parry. Picking up after the events of 28 Years Later, for which Union also served as sole VFX vendor, the film…
