Posted on November 10, 2025 in Behind the Scenes
In this video for Focus Features, director Yorgos Lanthimos explores how VistaVision brought the world of Bugonia to life.
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Nights are long inside Naomi and Ram’s room. Tonight, they’ve invited Marina over and their messy space is under scrutiny. London Film School (LFS) is recognised as one of the world’s key graduate schools and remains film education’s most cosmopolitan institution. Our graduates are established in film and television production in more than eighty countries….
John de Borman BSC AFC looks back on his career behind the camera, spanning some 40 films including An Education (2009), Hamlet (2000) and Serendipity (2001). He shares his dream project as a DP and explores the impact of AI on the craft. Special thanks to Alex Sole-leris, James Holloway, and Henry Blakeway.
Zhi is ordered to stay in the bedroom when dad’s colleagues visit, who work in the Family Planning Commission. London Film School (LFS) is recognised as one of the world’s key graduate schools and remains film education’s most cosmopolitan institution. Our graduates are established in film and television production in more than eighty countries. Alumni…
In this video for Panavision, Seamus McGarvey ASC BSC takes viewers behind the lensing of Lynne Ramsay’s film Die My Love — a haunting, poetic exploration of love, isolation and the mind’s unravelling.
After starting out in the industry as a model-maker, as well as stints in props and on-set SFX, Simon Rowling discovered his passion for cinematography. The DP of Lord of Misrule and Jeepers Creepers: Reborn takes us through his career so far, including realising a childhood dream of working with director Neil Marshall on upcoming…
Led by Ole-Aleksander Nordby, compositing supervisor, creative lead/CG supervisor Tim Kilgour and VFX supervisor Simon Carr, the Vine FX team have returned to The Witcher with a multi-episode VFX delivery “spanning creature development, close-up FX, environment extensions, combat enhancements, and established magical effects”. The team worked on seven episodes of the season, and delivered nearly 70 VFX shots across…
