Posted on October 6, 2025 in Interviews & Panels
In this interview with Panavision, the director of photography behind Tár and True Detective reflects on filmmaking as an art form and the inspiration he finds in collaborative concentration.
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This intense spy drama is told through AI manipulated images that creep into your brain and latch onto your memory. Dir: Orlando Cubitt
Led by VFX supervisor Henry Badgett, alongside CG supervisor Dave Cook and 2D supervisor Graham Day, BlueBolt has revealed it delivered 138 VFX shots to help recreate the vibrant 1930s pre-war era of Focus Features’ Downton Abbey: The Grand Finale. Here’s a breakdown of how it happened.
Learn more about how the BFI National Archive cares for its most vulnerable holdings and how the archive’s storage facilities have evolved over the decades with this short video essay. Video produced with the support of the BFI Screen Heritage Fund, awarding National Lottery funding.
Actor-filmmaker Edward Norton visited EnergaCAMERIMAGE in 2019 to discuss his latest project, Motherless Brooklyn, which he wrote, produced, directed and starred in. Norton explains what drew him to the role of Lionel Essrog in the film, set New York in the Fifties.
In this video for Panavision, Alejandro G. Iñárritu and Tom Cruise discuss the bond between director and cinematographer, how framing and lens choice serve the story, and lessons Cruise has absorbed from cinematographers throughout his career.
Linda Wu shares how she relished the challenge of shooting on film for her National Film and Television School graduate film, Jellyfish & Lobster.
