Posted on September 4, 2025 in Behind the Scenes, Interviews & Panels by The Academy
Cinematographer Robert Yeoman ASC reveals the hardest shot he filmed on Wes Anderson’s The Grand Budapest Hotel, and how he made it happen.
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Take the elevator down and explore how ILMVFX brought the second season of Severance to life.
REALTIME teamed up with Manchester’s RED Production Company (a STUDIOCANAL company), on Ridley Road, the four-part BBC One drama series adapted for television by award-winning writer Sarah Solemani (Barry, Aphrodite Fry), from the critically acclaimed novel by Jo Bloom. Ridley Road, a thriller set against the backdrop of a swinging sixties London, focuses on an…
When 18-year-old Nneka attempts to connect with her estranged mother, the fantasy of who she is, is abruptly shattered by the harsh reality of living with mental illness and extreme poverty.
In this interview, pioneering filmmaker and innovator James Cameron discusses the future of immersive storytelling and the 3D technology and techniques he explored when making concert film Billie Eilish – Hit Me Hard And Soft: The Tour (Live in 3D). From designing advanced custom stereo camera rigs to capture a standout stadium performance by Eilish…
How do you shape natural light to deliver that brilliantly lit, cinematic look and texture? In How to Light Day Interiors Vol. III, Shane Hurlbut, ASC clues you in on his methodology for handling negative fill, black tablecloth, mirrors, and mirror board without relying on expensive lights. Then, Shane deconstructs the pros and cons of…
In partnership with Amazon Studios, Women In Film brings you behind the scenes of The Underground Railroad. Featuring Caroline Eselin-Schafer (Costume Designer), Joi McMillon (Editor), Lisa Crivelli Scoppa (Set Decorator), Dottie Starling (VFX Editor); moderated by Ebony Adams. Founded in 1973 as Women In Film Los Angeles, WIF advocates for and advances the careers of…
