Severance VFX breakdown

Posted on June 2, 2025 in Visual Effects by ILM VFX

Take the elevator down and explore how ILMVFX brought the second season of Severance to life.




Video credits & links:

ILM VFX

Instagram

Share this:

«

Similar Posts

ARRI interviews Roger Deakins CBE, ASC, BSC and James Deakins for virtual Camerimage
|

ARRI interviews Roger Deakins CBE, ASC, BSC and James Deakins for virtual Camerimage

ByTom

At the 2020 virtual Camerimage festival, ARRI hosted an online discussion with cinematographer Roger Deakins and his collaborator James Deakins. Stephan Ukas-Bradley from ARRI in Los Angeles, who has helped support the Deakinses over many years and projects, covered topics such as the “Team Deakins” podcast, collaborations with different directors, creative processes, and the impact…

BSC Expo 2024 | In conversation with Fabian Wagner ASC BSC
| |

BSC Expo 2024 | In conversation with Fabian Wagner ASC BSC

ByHelen Parkinson

Fabian Wagner ASC BSC took time out after his popular Mentoring For The Future Panel at BSC Expo 2024 to tell us about his career behind the camera so far. The cinematographer of House of the Dragon, Justice League and the upcoming Venom 3 is supporting the next generation of filmmakers with his innovative First…

Vine FX’s Baptiste VFX breakdown
|

Vine FX’s Baptiste VFX breakdown

ByTom

Vine FX has released their latest work for the final series of BBC One’s hit show, ‘Baptiste’, which follows retired detective Julien Baptiste (Tchéky Karyo) as he delves into Budapest’s corrupt underworld. A variety of VFX work was completed with over 270 shots delivered for the show – ranging from CG Street builds, snow and…

DP Andrew Droz Palermo on shooting a star-studded Call of Duty commercial
|

DP Andrew Droz Palermo on shooting a star-studded Call of Duty commercial

ByHelen Parkinson

Head behind the scenes on “Squad Up”, the eye-catching spot for Call of Duty: Modern Warfare II directed by Valentin Petit, which assembles a star-studded, globe-trotting cast. “It’s an eclectic and kinetic mix of styles and camera modes, all coming together in an anthem,” says cinematographer Andrew Droz Palermo. “I tried to listen to each…