Slick Films presents Largo: Musa, a Syrian child refugee living in foster care in the UK, attempts to build a boat and sail home to find his missing parents. Largo is currently for your consideration for Best Live-Action Short Film and next year will be screened in schools throughout the UK during Refugee Week. A…
In this ShotDeck: Shot Talk video, Oren Soffer sits down with longtime Paul Thomas Anderson collaborators Michael Bauman and Sara Murphy to delve into their work on the critically acclaimed epic One Battle After Another. From resurrecting the long-dormant VistaVision format, to navigating an ambitious three-year location-scouting journey, to working on set without last looks…
This VFX breakdown reel from Cinesite showcases the visual effects created by its team for The Lost Bus, providing a detailed look at how key sequences were brought to life. Cinesite delivered over 200 visual effects shots, led by in-house senior VFX supervisor Max Dennison. From swirling embers that dance through the air to thick,…
In this fascinating 360-degree video from behind the scenes of The Correction Unit, DP Will J. Carman explains how he got the most out of a tight budget – using natural light, location changes and inventive camera techniques to nail each shot…
In this video for Panavision, Seamus McGarvey ASC BSC takes viewers behind the lensing of Lynne Ramsay’s film Die My Love — a haunting, poetic exploration of love, isolation and the mind’s unravelling.
In this video for Focus Features, director Yorgos Lanthimos explores how VistaVision brought the world of Bugonia to life.
Ty Evans captured Airborne with the RED V-RAPTOR [X] Z Mount and KOMODO-X Z Mount, using Nikkor glass to chase every whip, wheelie, and golden-hour dust cloud in bold, cinematic detail. Here’s how he navigated a fast-paced shoot.
Led by VFX supervisor Henry Badgett, alongside CG supervisor Dave Cook and 2D supervisor Graham Day, BlueBolt has revealed it delivered 138 VFX shots to help recreate the vibrant 1930s pre-war era of Focus Features’ Downton Abbey: The Grand Finale. Here’s a breakdown of how it happened.
“This event has been absolutely brilliant. It’s been amazing to speak to other cinematographers, and to chat to the wonderful guys at Godox has been incredible!” We’re glad you enjoyed our second British Cinematographer Presents event as much as we did! Here are just a few opinions from people in attendance. Contact us for more…
