Cinematographer Oliver Ford shares his approach to lighting the spot that helped launch the Puma x Skepta RS-X “Revolutionaries” campaign in this article. Don’t miss Ford’s work in this creative commercial.
For the track “Tonight” on their album Alpha Zulu, French band Phoenix partnered with Vampire Weekend’s lead vocalist and guitarist, Ezra Koenig. Light Iron colourist Keith Jenson takes us behind the scenes in his work on the video in this article.
Directed by Brendan Yates, the music video for Paramore’s “This Is Why” finds band members Hayley Williams, Zac Farro and Taylor York in secluded locales, far from prying eyes – until it’s revealed they’re actually being filmed by a two-person crew armed with a 16mm Panaflex camera. Yates partnered with cinematographer Ian Hurdle for this meta music…
Sarah Thomas Moffat is a cinematographer who works internationally, while based between LA and London. In Burbank California recently, she rode her motorcycle into the ARRI Creative Space studio to film with their virtual production technology. Working with ARRI engineers, Sarah created the opportunity to test Unreal 5 Engine assets, while lighting on the set in a traditional fashion…
Cinematographer James Beattie helped lend visual form to the gothic longing of the Curses track “Miriam”. Hear more from Beattie about his work here.
Head behind the scenes on “Squad Up”, the eye-catching spot for Call of Duty: Modern Warfare II directed by Valentin Petit, which assembles a star-studded, globe-trotting cast. “It’s an eclectic and kinetic mix of styles and camera modes, all coming together in an anthem,” says cinematographer Andrew Droz Palermo. “I tried to listen to each…
Freefolk has announced their delivery of a significant award of VFX as a lead vendor for season 2 of Netflix series, Fate: The Winx Saga. Based on the popular Winx Club cartoon, the drama transports viewers to the Otherworld where fairies and specialists train within the confines of Alfea College. The story centres around a group…
Peel back the curtain on Temprimental’s stunning VFX work for Blonde and read more on the BC website here.
One of the buzziest DPs in the industry flexed her talent on the recent, and global phenomenon, that was the All Too Well (Extended Version) short film – directed by Talor Swift. Read RIna Yang BSC’s interview about the celluloid project with British Cinematographer here.
