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  • Rodrigo Prieto sat talking
    Interviews & Panels

    Rodrigo Prieto ASC AMC, Natalie Kingston ASC and more explain what keeps them motivated

    ByGeorge September 22, 2025September 22, 2025

    In this candid conversation with Panavision, a group of DPs reflect on the forces that drive their work, from collaboration with directors and crews to personal inspirations and family. They also share honest insights about the challenges of work-life balance, the “film blues” that come when projects wrap, and the ways they recharge before returning…

    Read More Rodrigo Prieto ASC AMC, Natalie Kingston ASC and more explain what keeps them motivatedContinue

  • Rachel Clark BSC sat in a chair holding a clapperboard
    Interviews & Panels

    Rachel Clark BSC reflects on her career path from trainee to DP

    ByGeorge September 3, 2025September 3, 2025

    In this candid conversation with Panavision, Clark shares memories from early projects like This Is England, American Honey and Rocks–as well as insights on mentorship, crew collaboration, and building confidence behind the camera.

    Read More Rachel Clark BSC reflects on her career path from trainee to DPContinue

  • Three filmmakers in side by side images
    Interviews & Panels

    Rodrigo Prieto ASC AMC, Phedon Papamichael ASC GSC and more share what they need on set

    ByGeorge August 29, 2025August 29, 2025

    In this candid roundtable from Panavision, a group of DPs share the tools, routines, and instincts they rely on throughout the filmmaking process. From essential items like viewfinders, light meters and coffee to personal rituals and creative habits, they reflect on how they prepare for a shoot—and how they know when a shot is ready…

    Read More Rodrigo Prieto ASC AMC, Phedon Papamichael ASC GSC and more share what they need on setContinue

  • Panavision and Jarin Blaschke | Why these period films look so different
    Behind the Scenes

    Panavision and Jarin Blaschke | Why these period films look so different

    ByTom June 2, 2025June 2, 2025

    Join cinematographer Jarin Blaschke and Panavision’s Dan Sasaki for an exclusive, in-depth conversation at Panavision’s Woodland Hills headquarters. Together, they break down the evolving lens strategies behind Robert Eggers’ acclaimed films — The Witch, The Lighthouse, The Northman, and Nosferatu.

    Read More Panavision and Jarin Blaschke | Why these period films look so differentContinue

  • Women In Cinematography panel at Camerimage Film Festival
    Interviews & Panels

    Women In Cinematography panel at Camerimage Film Festival

    ByTom March 28, 2025March 28, 2025

    An esteemed group of women cinematographers dive deep into their preproduction processes in this panel discussion from Camerimage 2024.

    Read More Women In Cinematography panel at Camerimage Film FestivalContinue

  • Panavision | Nickel Boys DP Jomo Fray on lenses and camera movement
    Behind the Scenes

    Panavision | Nickel Boys DP Jomo Fray on lenses and camera movement

    ByTom March 7, 2025March 7, 2025

    Director RaMell Ross’ feature film Nickel Boys continues to earn accolades, including a Spotlight Award from the American Society of Cinematographers for director of photography Jomo Fray. With the movie, Fray explains, he and Ross “wanted to invite the audience into the body and the eyes of a Black boy during the Jim Crow South….

    Read More Panavision | Nickel Boys DP Jomo Fray on lenses and camera movementContinue

  • BSC Expo 2025 | In conversation with Panavision
    BSC Expo | Industry Events | Interviews & Panels

    BSC Expo 2025 | In conversation with Panavision

    ByTom March 6, 2025March 6, 2025

    At this year’s Expo we caught up with Panavision.

    Read More BSC Expo 2025 | In conversation with PanavisionContinue

  • In conversation with Óscar Faura
    Interviews & Panels

    In conversation with Óscar Faura

    ByTom June 15, 2023June 15, 2023

    Cinematographer Óscar Faura AEC takes Panavision through the scenes of his career from wanting to be an editor to finding the inspiration in the image and collaborating as a cinematographer.

    Read More In conversation with Óscar FauraContinue

  • DP Oliver Ford’s approach to lighting a Puma x Skepta spot
    Behind the Scenes

    DP Oliver Ford’s approach to lighting a Puma x Skepta spot

    ByHelen Parkinson December 16, 2022January 4, 2023

    Cinematographer Oliver Ford shares his approach to lighting the spot that helped launch the Puma x Skepta RS-X “Revolutionaries” campaign in this article. Don’t miss Ford’s work in this creative commercial.

    Read More DP Oliver Ford’s approach to lighting a Puma x Skepta spotContinue

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British Cinematographer Magazine

Issue 134: March 2026

British Cinematographer Magazine is endorsed and read by: BSC - British Society of Cinematographers; GBCT - Guild of British Camera Technicians; and IMAGO - International Federation of Cinematographers.

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