Join cinematographer Jarin Blaschke and Panavision’s Dan Sasaki for an exclusive, in-depth conversation at Panavision’s Woodland Hills headquarters. Together, they break down the evolving lens strategies behind Robert Eggers’ acclaimed films — The Witch, The Lighthouse, The Northman, and Nosferatu.
An esteemed group of women cinematographers dive deep into their preproduction processes in this panel discussion from Camerimage 2024.
Director RaMell Ross’ feature film Nickel Boys continues to earn accolades, including a Spotlight Award from the American Society of Cinematographers for director of photography Jomo Fray. With the movie, Fray explains, he and Ross “wanted to invite the audience into the body and the eyes of a Black boy during the Jim Crow South….
At this year’s Expo we caught up with Panavision.
Cinematographer Óscar Faura AEC takes Panavision through the scenes of his career from wanting to be an editor to finding the inspiration in the image and collaborating as a cinematographer.
Cinematographer Oliver Ford shares his approach to lighting the spot that helped launch the Puma x Skepta RS-X “Revolutionaries” campaign in this article. Don’t miss Ford’s work in this creative commercial.
Directed by Brendan Yates, the music video for Paramore’s “This Is Why” finds band members Hayley Williams, Zac Farro and Taylor York in secluded locales, far from prying eyes – until it’s revealed they’re actually being filmed by a two-person crew armed with a 16mm Panaflex camera. Yates partnered with cinematographer Ian Hurdle for this meta music…
Cinematographer James Beattie helped lend visual form to the gothic longing of the Curses track “Miriam”. Hear more from Beattie about his work here.
Head behind the scenes on “Squad Up”, the eye-catching spot for Call of Duty: Modern Warfare II directed by Valentin Petit, which assembles a star-studded, globe-trotting cast. “It’s an eclectic and kinetic mix of styles and camera modes, all coming together in an anthem,” says cinematographer Andrew Droz Palermo. “I tried to listen to each…
