Posted on November 5, 2021 in Behind the Scenes by Cooke Optics
In this episode Bradford talks to COTV about his background and his family history, looking at the influences behind his film career. He discusses Howard and how that was a big motivation for him. COTV also look at his approach towards composition and design.
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In this episode of COTV’s cinematography roundtable, six talented cinematographers discuss different experiences and approaches towards working with the director.
Cinematographer Phedon Papamichael ASC GSC discusses the lens and camera choices behind the portrait of Bob Dylan as a young musician.
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Go behind the look of Good Boy with cinematographer Ben Leonberg in this video from RED. “When Todd walks down into the basement and off camera, in any other movie we’d follow that human hero. But in this movie, the camera stays with Indy.” A haunted house film told from a dog’s perspective, Good Boy…
Goodbye Kansas Studios has delivered 123 shots and over 50 character and environment assets for the second season of Amazon Prime Video’s Carnival Row. Carnival Row, which premiered in 2019, is an American neo-noir fantasy series. The show stars Cara Delevigne as Vignette and Orlando Bloom as Philo, the main characters in a world where mystical…
Check out DNEG’s brand new Film VFX showreel for 2020 featuring their work on ‘Avengers: Endgame’, ‘Hobbs and Shaw’, ‘Alita: Battle Angel’, ‘Godzilla: King of the Monsters’, ‘The King’, ‘Men In Black: International’, ‘Triple Frontier’, ‘The Kid Who Would Be King’, and more.
