Making of Chaos Walking with Ben Seresin ASC BSC
The Chaos Walking cinematographer talks about his experience using our ALEXA65 and PrimeDNA lenses.
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We caught up with Anthony Dod Mantle BSC ASC DFF at BSC Expo 2022 to talk about his career and the ever changing film industry, in particular how you merge art and technology. Mantle had just been speaking at BSC Expo, appearing on the panel for the session ‘What Makes a Good Film’.
Part of a celebration for Women’s History Month 2025, Suzie Lavelle BSC ISC talks about her career to date with Laurie Rose BSC and discusses Normal People (2020), The End We Start From (2023), Severance Season 2 (2025) and Bridget Jones: Mad About the Boy (2025).
What started as just a WhatsApp group between 64 current mentees has blossomed into a close-knit community that holds meet-ups, training opportunities, and peer-based support, and is currently expanding to welcome past cohorts and explore unofficial collaboration opportunities with vendors, as cinematographer and community founder Cathy Ye explains.
In this video for Panavision, Alejandro G. Iñárritu and Tom Cruise discuss the bond between director and cinematographer, how framing and lens choice serve the story, and lessons Cruise has absorbed from cinematographers throughout his career.
Cinematographer Robert Yeoman ASC reveals the hardest shot he filmed on Wes Anderson’s The Grand Budapest Hotel, and how he made it happen.
Kicking off our new Quick-Fire Questions series, Oliver Curtis BSC runs us through his favourite film collaborations, how he chooses gear, and what he loves most about the cinematography industry… Massive thanks to Diverse Made Media and Chris Lynch for their support with the video and throughout BSC Expo.